Buddhist practice transformed the religious landscape in China, introducing new forms of mental cultivation and new ritual technologies within an altered cosmology of spiritual goals. Buddhist practice was carried out by individuals, but was equally as often a communal activity. A basic unit of religious practice was the family; Buddhist cultivation was also carried out by communities of practice at monasteries, which were also sites of large-scale rituals. Forms of religious practice included meditation, oral recitation, ritual performances including confession and vow making, and merit-making activities. Meditation encompassed following breath and exercises that recreated Buddhist images in the practitioner’s mind. Meditation could be carried out while sitting, or while walking, and might also incorporate recitation of scriptures, names of the Buddhas, and dhāraṇī. Indeed, meditation practices were most often embedded in liturgical sequences that included confession, vows, and merit dedication. The goal of these religious practices might be personal spiritual development; through the concept of merit transference, religious activities also worked to benefit others, especially the dead. The fundamental of components of Buddhist practice were present very early in the tradition’s history in China, and over time these elements were combined in new ways, and with reference to changing objects of devotion. The four major bodhisattvas of Mañjuśrī (Wenshu 文殊), Samantabhadra (Puxian 普賢), Kṣitigarbha (Dizang 地藏), and Avalokiteśvara (Guanyin 觀音) were especially important as objects of devotion, and also were emplaced in the Chinese landscape, where they were incorporated into pilgrimages.
Unlike other parts of the non-European world, China was never fully colonized by the Western imperial powers during the late 19th and early 20th centuries. Instead, the Western powers built up a network of open ports, where foreigners could reside and trade under the protective shield of consular jurisdiction and gunboat diplomacy. Even though the treaty ports arguably played a limited role in transforming China’s domestic economy, they became emblematic of China’s and East Asia’s encounter with capitalist modernity, and they left an indelible legacy on Chinese domestic politics and foreign relations. With the notable exception of Beijing and some other cities, most major urban areas in China today are former treaty ports and many of them were the first to open for trade when the People’s Republic of China embarked on economic reform in 1978.
The Uyghurs are a Turkic-speaking ethnic group, most of whom live today within the People’s Republic of China. Virtually all Uyghurs are Muslims, and most are oasis farmers, small-time traders, or craftsmen. They constitute the majority population of the Tarim Basin, a region that eventually fell under Chinese rule after the Qing conquest of 1759. Although Turkic speakers predominated in the Tarim Basin for several centuries, the modern Uyghur identity was only named and formalized in the 20th century. During that period, a succession of Chinese states gradually transformed Uyghur lands from a loosely held dependency under the Qing to a closely monitored, assimilationist, settler colony in the 21st century, ruled by a Han Chinese–dominated bureaucracy. Uyghurs inherit traditions rooted in Turko-Persianate Central Asia, elaborated in the 20th century by strong influences from Soviet Central Asia and continually adapted to a political context of shifting outsider regimes punctuated by briefly successful independence movements.
Ronald C. Po
Tracing the social lives of tea, porcelain, and silk, it is discernible that the world had been living with commodities made in and exported from China for a fairly long period of time. Particularly, when tea slowly became more common in England during the 18th century, most Britons tended to purchase tea leaves planted in the Yangtze River Delta and the Fujian region. When Europeans first encountered Chinese porcelain, it was so fine, translucent, and superior to anything that they could possibly manufacture at the time. They thus concluded that it must be a magic substance and astonishingly called it “white gold.” The Western obsession about Chinese porcelain, in turn, encouraged Europeans to produce their own imitations in terms of both production processes and marketing strategies. When silkworm disease ruined European sericulture in the middle of the 19th century, Chinese silk, including silk textiles and spun and raw silks, fulfilled a need in a demanding Euro-American market. These examples, among many others, conceivably reveal that China has played a crucial role in the global history of the dissemination and consumption of commodities since the early modern period.
China’s minority policy after 1949 combined the Qing legacy with a socialist affirmative strategy. The concept of a multiethnic Chinese state derived from Qing ideology and policy in the 18th century, when the Qianlong emperor realized his vision of universal rulership by expanding the Qing empire deep into Central Asia. During the nation-building period of the first half of the 20th century, the imperial geobody was reconstituted as a Sinocentric and multiethnic nation-state. Ideological rivals the Guomindang and the Communist Party both pursued hegemonic strategies of national unity by constructing a new myth of national belonging firmly rooted in history. But China’s weak international position and the internal crisis of the Republican state prevented the implementation of any territorial concept of national unity. In the People’s Republic of China, ethnic diversity was restructured according to a majority-minority dichotomy. Historical multiculturalism was reduced to fifty-six rigid minzu “containers” defined by strictly applied criteria of language, religion, and customs. The minorities were integrated into the unitary Chinese nation and granted only regional autonomy. Although the autonomous regions produced expectations of belonging among their titular nationalities, the official minority policy was strongly assimilationist in the 1960s and 1970s, generating centrifugal forces of ethnic resistance. Since the 1990s, a popular nationalism stoked by the central government has been expanding into a broader sense of Chineseness in a globalizing world.
Despite important continuities in imperial practices and bureaucratic structures, the spatial organization of Chinese government and society evolved in significant ways over the course of the two millenniums of the imperial period (221
When the origins and development of the Chinese Communist Movement before it seized the state power in 1949 are examined, while conventionally the movement is periodized according to its respective main task of struggle, it can also be divided into four distinct phases in reference to the dominant ethos and style in each phase. To avoid the movement-centric pitfalls, it can be shown how the structural circumstances and organizational ecologies in each phase conditioned the fashioning of its dominant ethos. In its earliest phase, a failing parliamentary politics with relatively strong civil society and weak state institutions thus shaped its ethos as a social movement led by intellectuals, with sprawling networks but loose coordination. After being purged and outlawed by the Kuomintang, the movement began to bifurcate into two segments, one dedicating to urban clandestine activities and the other capitalizing on the state devolution in the countryside. The KMT’s incremental state building efforts narrowed the space of the movement, until it came almost to the brink of organizational extinction, even though its intellectual fellow travelers had helped score much success in ideological and cultural domains. The forced retreat of the Long March inaugurated a third phase of exploration and openness, when the movement regained its legal activities and attracted broadening support from a variety of social sectors. Yet, the scrambling of resources as a result of the structure of triadic conflicts with Japan and the KMT ended that phase of exploration and openness. A new phase of internal tightening and external softening cemented its hegemony yet also consolidated and institutionalized a leader-centric organizational culture that partly mirrored its competitor and partly borrowed from the Soviet template. Tracing its transformation from a social movement to an institution with its own organizational myths, rituals and rules, the teleological narrative gives way to an emphasis on the contingent interactions between its organizational environment and its internal evolution. Such a viewpoint also underscores the politics of interpretation in the formation of its organizational power and authority.
Opium was used as a medicinal herb during the Tang-Song dynastic era, if not earlier, but this medicinal role was transformed during the Ming dynasty as it became an ingredient in aphrodisiacs produced for the Ming court. Small countries in South-Southeast Asia included opium in their tribute items to the Ming. Tribute missions were a form of trade as well as the best way to maintain foreign relations. Opium transformed again in the early Qing dynasty as Southeast Asian Chinese brought the habit of smoking opium mixed with tobacco back to the mainland. This was soon integrated in and promoted by the sex recreation industry in the mid-18th century, and the demand for opium grew rapidly in the early decades of the 19th century. By the 1850s, increasing supply fueled a level of consumption that neither repeated attempts at prohibition, nor two opium wars could stymie; it exploded into a consumer revolution. Opium became vital to the economy as all the polities since the late Qing taxed it to sustain themselves. It also became a symbol of China’s humiliation and anti-imperialist political platform. It has now come back to haunt the country despite the Mao era success in eradication.
Although frontier studies enjoy a long and robust history in China, a disproportionate amount of attention has focused on North China and its relations with Central and Northeast Asia, while only a handful of historians have paid much attention to the history of South and Southwest China. Those that do invariably offer a narrative that presents Southwest China (the current provinces of Yunnan, Guizhou, and the southwestern portion of Sichuan) as unequivocal parts of greater China since at least the end of the 3rd century
Julia K. Murray
The study of visual culture in imperial China is a young and heterogeneous field that encompasses a large and shifting array of visual materials and viewing practices. Because of the many political and social changes over the course of roughly two millennia, scholars have generally focused on specific forms and shorter periods, often defined by dynasty, instead of proposing comprehensive theories or all-inclusive overviews. The most recent dynasties, Ming and Qing, have received the majority of the scholarly attention to visual culture as such, but much research on earlier periods also sheds light on the roles of the visual and visual experience. In contrast to scholarship on modern and contemporary Chinese visual culture, which typically draws upon European and American theoretical models, studies concerned with the imperial era more often use methodologies and interpretive frameworks from art history and anthropology. Major foci of interest, whose relative importance varies by period, are the imperial court and its projects to perpetuate and project imperial authority, concerns with and techniques for creating auspicious environments in earthly life and in tomb contexts, structures and practices associated with Buddhism and Daoism within religious institutions and in lay communities, uses of writing and representational images to embody the values of the Confucian-educated elite, woodblock illustration and consumerism in urban culture, rural forms of visual culture, vernacular images and erotica, and the assimilation of elements of foreign visual culture.